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reviewed by Ken Klingenmeier

Meredith Willson’s iconic Broadway musical, The Music Man, is the final installment in Tarkington Civic Theatre’s stellar 2016-17 season. Full of insightful direction and inventive choreography, both provided by Anne Nicole Beck, the show opened last night with a sparkle and a smash. Brent E. Marty provides the inspired musical direction.

Ms. Beck’s immense cast of 42 fills the stage with remarkable performances from top to bottom. Leading the way is Steve Kruze as slick, traveling salesman Professor Harold Hill. Kruze manages a difficult role with pellucidity, energizing the role which brought Robert Preston much fame. Though I feel Kruze lacked the full spark he brought to his earlier Civic appearance as Frederick Frankenstein in 2016’s Young Frankenstein, he nonetheless makes the most of his significant talents here, always focused on Hill’s divided attentions as he hoodwinks the townspeople and unexpectedly finds true love. Joining him as Marion (the librarian) is a lovely Mikayla Reed Koharchik. Ms. Koharchik offers a definitive version of the reluctant miss, using her beautiful (and powerful) vocal talents to maximum effect. Her Marion is gracefully aware of what is happening to her as Hill first confronts her with his charms, then finds he cannot do without her.

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Steve Kruze plays Professor Harold Hill in Tarkington Civic’s production of “The Music Man”

Adding texture to the show are distinctive performances by several supporting players including: Tom Beeler as a pleasingly frustrated Mayor Shinn; Robyne J. Ault as his over-the-top arts loving wife, Eulalie Mackecknie Shinn; Krista Wright as Marion’s hopeful mother, Mrs. Paroo; and Joe Steiner as Hill’s vengeful rival, anvil salesman Charlie Cowell.

Joel Flynn takes the role of town “trouble-maker” Tommy Djilas, showing some impressive talents as a featured dancer; third-grader Jack Clark does himself (and the Clark family) proud as he sweetly plays young Winthrop Paroo, highlighted by his delightful rendition of “Gary Indiana”; and John Hall, Eric Turpen, David Brock and Darrin Gowan join forces as the combative school board members turned barber shop quartet, offering a selection of beautifully harmonized arrangements.

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Mikayla Reed Koharchik plays Marion Paroo in Tarkington Civic’s production of “The Music Man”

It would be difficult to list all the contributions of the other 30 performers, just know that they add lots of glow and shine to the impressive proceedings. Also noteworthy is the fine Broadway level orchestra, under the baton of Trevor Fanning, which richly accompanies the action onstage.

And what action! Favorite numbers from my perspective include: the lively “Seventy-Six Trombones” which displays the entire cast in a bright rendition; the wonderfully original and complex movement of “Marian the Librarian” featuring the two leads with a dozen or so young adult performers; and the all-stops-out, full-cast, dance-filled “Shipoopi”. The show is full of terrific and interesting staging ideas throughout.

Finally, kudos must go to the imaginative scenic and lighting designs by Ryan Koharchik  and the plethora of costumes designed by Andrienne Conces. Andrew Boyd added his skillful work with the period style wigs.

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The entire cast in a rousing rendition of “Seventy-Six Trombones” in Tarkington Civic’s production of “The Music Man”.

Bottom-line: Here is yet another thoroughly enjoyable show from the magnificent Tarkington Civic organization. The high quality of their productions this entire season has certainly been on a par with any of the professional companies in our theatre-rich area.

The Music Man continues at Carmel’s Center for the Performing Arts through May 13th. For ticket information and reservations call 317.843.3800 or go online at http://www.civictheatre.org .

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This evening, Booth Tarkington Civic Theatre announced the shows in the upcoming 2017-18 season – starting with Annie, which opens on October 12, 2017. This will be followed by Joseph and the Amazing Technicolor Dreamcoat (Dec. 15), a non-musical Sense and Sensibility (Feb 2), Agatha Christies’ And Then There Were None in the Studio Theater (Mar 23), and finally Hairspray (Apr 27). Young artists productions of The Cat in the Hat, James and the Giant Peach and Guys and Dolls are also included. Season tickets are available now – call 317.843.3800 for information.

 

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